Lyubov Popov biography of the artist

Her father was a successful entrepreneur. The first lessons of the art of painting Popova were given by a family of K.'s family in the year Popova moved to Moscow. From this moment, she regularly takes painting lessons. Love was engaged in many art studios: in the studio of V. Tatlin, A. Le-Fokonia, K. Yuon, S. During this period, a novice artist travels a lot, visiting the cities of Russia and Europe.

In the year, the artist lives and works in Italy, continuing to take lessons, after which he goes to Paris. Popova was carried away by Suprematism, became a member of the group of Casimir Malevich Supreus, along with other consumer artists worked in the village of Verbovka and Skoptsy. Popova’s work in his work of Popov went many stages, paving the path from Cezannism to cubism and futurism.

In a certain period, the artist became a member of the Spreus group, organized by Casimir Malevich. At this time, Suprematism especially carries her. Together with other members of the Popov group, he works in the villages of Skoptsi and recruitment. Popova is actively involved in various exhibitions. Her early paintings are executed in the traditions of analytical cubism and Fovism.

Later, the artist will move away from this manner, giving preference to more dynamic cubofuturism and synthetic cubism. She tried to transfer this still life to a graphic sheet or canvas. The artist paid special attention to the value of the sounds of paints. In this sense, her cycle “Picturesque architectonics” is very important. From the works of Malevich, he is distinguished by a variety of colorful rhythms.

In the twenties, Popova moves away a little from painting, addressing the scenography. She participates in the design of the performances “The Tale of the Pope and the employee of his Balde”, “Chancellor and locksmith”. Popova works in the style of "Ar deco", combining the traditions of avant -garde and modern. She also takes part in the performance of the play “Earth on the end” and “Great -minded cuckold”, names Meyerhold staged in the theater.

Popova paid attention and teaching. Since the year, she worked at VKhUTEMAS and the Institute of Artistic Culture. In the artist’s work, a variety of motives harmoniously intertwined. The cubism, which she met back in Paris, bizarrely merged with the natural addiction to the Renaissance and the Russian icon. Even the artist's subordinate works reflected the classical manner.

This is also characteristic of its “spatial-power constructions”, “picturesque constructions”. The traditions of the classics do not disappear from the work of Popova even when it is engaged in the production of fabrics, leaving painting. The work of the artist and their price State Tretyakov Gallery, Moscow.