Ahsarbek Bekmurzov Biography

A person is born only in real men! There are films that you love for the atmosphere since childhood. For that incredible feeling of joy that they leave after themselves. And at the same time, you understand their meaning much later, already being an adult. When it does not matter at all that the black and white picture on the TV is far from those voluminous images that we observe daily on the screens.

When you can objectively evaluate the actor’s game, but you do not do it just because you are so akin to the film that you perceive it as part of your own life history. And when, once again, including a comedy beloved by the whole family, you still shrug: “Well, what is this family drama? But with the films a completely different story. Today, the picture of two or three years ago is already perceived as obsolete.

What can we say about films, whose audience experience has been there for forty years. And the creative brigade itself reluctantly recalls the affairs of the long time. Although, probably, something more lies behind this than just a bad memory-taking out of it, of course, happy moments, you are aware of non-return ... And not only for these filming days, but in general to the special aura that reigned on the site of some forty years ago.

Over these decades, the film industry has made many noticeable jerks in development, gave the world many masterpieces, stars and bonuses. But did she retain that genuine soulfulness, which is visible in the ribbons of those times with the naked eye? Times when the premieres were not daily and a little interesting event, and the release of a new film was waiting for six months. The times when the trees were small, the actors were large, and the cinema was deep.

And, perhaps, in the film “Family Drama” the meaning lies on the surface, but so that it turns out just so simple and clear, the whole team, led by the director, did a tremendous work. So that at the output of each viewer there is a feeling that everything is brilliant - just ... Modern cinema is exhausted by thirst for talents such as Ishmael Burnakov. And how lucky we are that in the credits to the beloved film as a director, it was he who.

But it all started differently, and really could turn into a drama for the Ossetian film industry. Initially, the film was shot in a completely different scenario and another director. The actions of the picture unfolded in the village, the creative team began filming in Unala. However, even today, after many years, the actors, without detracting the advantages of the first director, still say that he did not manage to connect himself with the future film with spiritual bonds, and from that work did not adhered: “We ourselves could not understand what we would require that we would shoot.

Even the selection of girls-the children of the protagonist-he reacted through the sleeves, if only in the frame there were some children. The same scene could be shot for several days. ” Akhsaru Bekmurzov, selected for the main role in the film, where theatrical stages were more familiar than the set. But the talent is given to the actors in order to be able to get used to any role, including a television hero.

But even he had not been easy: “I had to remove the scene where I rest in the chair, and the donkey bothers me with my shouts. And the director commands: throw a slipper at him, but decide for yourself - if you want to get it, you want not. Well, I played the scene so that I got into the animal. And the fragment itself with a hit was removed separately, and could not catch the desired frame.

So the director then accused me of not having to fall ... ” The director’s disagreements were not only with a donkey, but also with the operator of the picture - Miron Temiryaev. As a result, that the paths of the Creator and the Family Drama parted ... And then Ishmael Burnakov “adopted” the large family of Tolas. And thanks to the demanding Soviet Union, which established a strict plan for state film studios - two films a year.

Therefore, the closed film had to be reanimated, and at the same time, make changes to the script. The script of the film is a living organism that grows, develops with the directorial thought, with its vision. And when the director is a master of his craft, then the future work of cinematic art only acquires. As happened. And although for Narik, as everyone calls Izmail Burnakov, this was the whole second film, he came to him with a clear understanding of how it should.

The creative tandem with the operator Alan Samovy already obviously spoke of the success of the tape. But there was still far from the applause in Moscow - there was a difficult, but insanely fascinating filming process. Izmail re -arranged a casting for actors. After the photo and film industry, Akhsara Bekmurzov was finally approved for the role of the happy father of five girls.

Kazbek Suanov appeared in the composition, who replaced the suddenly ill colleague.

The brilliant actors of Costa Biranges and the Mairbek of the Chinese became a guarantee of not only a very warm atmosphere on the site, but also indispensable improvisations that will decorate the film. And Uruzmag Baskaev went to the city gardens of the city to find Tolas's daughters. But this is a movie and here you can not miss even little things.During the search process, I went into the kindergarten in the area of ​​Z.

Kosmodemyanskaya Street and I look, one girl is sitting-it seems like some kind of gloomy, ready to cry, but something she hooked me so much that I immediately understood-she will become our little actress. As a result, she played the youngest daughter. ” No one forgave these girls a star future in the cinema, but they managed to create five bright images at a “cheers”: looking at them, it was difficult to believe that the hero of Ahsara Bekmurzov, the father of such beautiful daughters, still dreams of a boy.

But the film dad has not met his “daughters” for a long time: “I was resting with my wife in Jinaga. We walked, when suddenly we saw two equally dressed girls walking with my mother. I recognized them almost immediately - in the film they were only a year old, and at the time of the meeting for years and although they did not recognize me, I was very pleased to meet them.

There weren’t any shops in the mountains then, but apricots were sold nearby. I took and poured them into a bucket, which the girls carried in their hands. " In general, shooting with children is always a risk. They are very direct than often they take the viewer. But in the film, certain reactions, emotions, movements are expected from them. Remember the fragment when I hung on a traffic light?

So they really cried in the frame: “Dad, dad! Ahsar Bekmurzov was already a father then - his son grew up, but in order to try on the role of the dad of his daughters, he needed to come into contact with the “artists”. I wore sweets, toys, and the girls really quickly got used to me. My wife in the film was to be Teresa Kantemirova. However, for some reason she did not come to meet young heroines.

And then Narik made a decision, and my “daughters” had a new mother - Svetlana Dudieva, who immediately found an approach to them. ” By the way, it was the fact that Akhsar already had a son that did not immediately give the actor a proper understanding of the drama of his hero. And then Narik found a way out: after the scene, when on the next question about the brother, the ball bursts in my hands, I realized what they demand from me.

” His friends reacted with understanding to the life tragedy of Tolas: after all, Venus’s wife was once again expecting a child, and all the hopes of a large father were associated with the advent of another man in the family: “I wonder who would be born? But so far he only had to brush off from endless questions and jokes of acquaintances. Not without the participation of friends, of course.

Which, in turn, was a lot of improvised in the frame. Perhaps, for only the creative freedom of the actors, Izmail Burnsev should say “thank you”. Replicas, gestures, scenes - today the viewer seems to be so conceived, but in fact the operator simply successfully caught the frame, and the director, having seen a highlight in it, left in the film. And, on the contrary, there were moments in which the professionals of their business could not notice the most skillful game of the actor: Ahsar Bekmurzov did not know how to drive a car at all, and although he twisted the steering wheel very artistically, it can be understood by the staff that the car is in place.

I must say that Ahsaru the film, of course, added fame, and still, after more than 40 years, many fans have to thank it for this image. But at the same time, there was another case: some time after the tape released on the screens, the actor at the theater met a man with a firm intention of breaking Bekmurzov: “Who did you think of mocking? I watched your movie!

I also have daughter and what, now you need to make fun of it? Moreover, when the director, even after several decades, recalls with relief that all his risks in the frame were justified and did without injuries. We used this lift in the film more than once, but in this scene we had no guarantees - whether such a load in the form of three adult men can be lifted so highly.

Perhaps the arrangement of the actors in the basket played a role in a successful outcome. But what shots came out! And this is despite the fact that the Mairbek of the Chiyevs was very natural, that the paint - a solution of chalk - stained it in the process of shooting. ” Our boundlessly talented artist Totrbek Basiev still possessed an acting gift. And therefore, we often invited him to episodes, which he was incredibly happy.

And here he played a neighbor with pleasure - that’s like a small character, but how bright he turned out! And these details are very important for the film, because they create a holistic picture for the audience perception, ”says Uruzmag Baskaev. Outside the window, the rain pours, which was provided to us by a fire engine. And then I look up and see - my mother is on the set.

From surprise, I was even confused. And she, for sure, was pleased to see her son during the filming process. ” In addition to the main meaning that this film carries in himself, each viewer, especially born and grown up in Soviet times, catches himself thinking that he was yearning for the special comfort that European repair, luminous facades, bulky signs ... even for those who have never went to drink beer, cafes in which Babi, seems incredibly relatives.

And this spirit of time lost today manifested itself in everything.We rented the same scene with the serenade in the Urusov’s apartment. At first we and Ishmael chose the house suitable for us, and then selected the floor and the apartment. And it turned out that my former Mathematics teacher from Ardon lives there, ”says Uruzmag.