D Minaev Biography

Guryeva T. Poet of the Nekrasovsky school of Minaev, Dmitry Dmitrievich [XI, Simbirsk - 10 was born in a poor family. His father D. Minaev, a military official, wrote poetry, about whom the review of V. Belinsky was preserved, and published his processing “Words about Igor’s Regiment” in the year M. took up literary work since the year. In the year, a collection of Parodiy Minaev “Perepeva” under the pseudonym The exponento poet, who received a harsh assessment of N.

Since the beginning of the 10ths, collaborated in democratic magazines: his translations from French and English poetry appear in “Contemporary”; In the “Russian Word”, he leads a literary and satirical feuilleton in prose called “Diary of a Dark Man” The gift of Minaev Poet-Satyrik turned into “Iscre”. In the year, Minaev edited the satirical magazine "Guuckle", in the announcement of which he indicated that the program of the new magazine would be "the persecution of rude and narrow obscurantism, arbitrariness and untruth in our Russian life." Since the year, Minaev collaborated in the satirical magazine "Alarm clock", was later close to "domestic notes." The poet of the Nekrasovsky school, Minaev, acquired a reputation as a poet-citizen who knows how to respond to the anger of the day.

All topics of advanced journalism in the years are represented in his poetic work. About oppressed men, about the poverty of the Russian village, says the “Tale of the Eastern Halls” with its famous refrain: “Is this Russian progress? Liberal talkers, in words that are baking about the “poor brother” “The urgent question”, fans of “semi -industry, half -free” “Renegat”, reactionary poets, defenders of “pure art” “Lyric songs of civilian tide”, reptile figures, bureaucrats and bureaucratic fraudsters, tsarist censorship, persecuting censorship, persecuting Satyric “in the Censor Cabinet”, “comedians”, these are objects of the satirical revelations of Minaev.

He sarcastically criticized the Slavophiles, singing the long -suffering of the people, and, like N. Nekrasov, expressed sorrow about the passivity of the peasant mass “Old Tales in a New Year”,; “The Dream of the Giant”, Minaev was famous for as “King of Rhyme”, a master of the holest of the epigram, parody, a flying verse close to improvisation, a poetic feuilleton - a genre, which is approved in Russian poetry.

The ease with which Minaev was given poetry, sometimes led to excessive fertility, weakened the poet’s exactingness to herself. Nevertheless, the best part of his heritage, including translations, is now interesting for the reader. The Minaevsky puns have long become winged "...

I even turn to the Finnish rocks with a puns." Researchers believe that in the field of the puncture rhyme of the "gymnasium" - "anthem of Asia", etc. Minaev was one of Mayakovsky's predecessors. Brief literary encyclopedia in 9 volumes. The State Scientific Publishing House "Soviet Encyclopedia", t. Recall that Dobrolyubov’s life was cut off at 24 years old, Golz-Miller-at 28, Mikhailov-at 36 and only Trefolev died at 66 years old.

Minaev creatively is the most prolific of them. His poems are “scattered” according to numerous magazines. During the life of the poet, more than two dozen collections of his poems were published. He had an exceptional gift of improvisation, in which no one could compare with him. He has a lot of “quails” of the motives of Russian poetry. And even the first collection, published in G., his poetic thought often followed after someone, and Minaev processes it often in an ironic, parody tone.

He was a skilled version of the one, capable of composing an epigram, acrosty in one minute. He was a master of unexpected rhyme, but did not like verb rhymes. By the twenty-five of his literary activity, friends sent him a greeting-monoim, where [76] each line ended in the words: “shalopaev”, “parrots”, “slopes”, “rag”, “rags”, “mamaev”, which was rhyme on Minaev, he was a fierce opponent of all kinds of “villains” the poet did not distinguish in the work of a serious and unnecessary work for him-everything was for him.

The kingdom of poetry: the area of ​​rhymes is my element, and I easily write poetry: without thinking, without a delay, I run to the line from the line, even to the Finnish rocks I address the pravdom, he wrote under many pseudonyms. And once on the Volga steamer, a provincial humorism lover, having guided that his interlocutor knows the capital's writers, set off in questioning: who is hiding under the pseudonym “The Exclusive Poet?

Then we were talking about who is “retired Major Mikhail Bourbonov? The young man disappeared, deciding that he was mystified. Minaev was distinguished by great resourcefulness and rare wit. For thirty years I have not missed a single event so as not to concoct on it. And almost always an impromptu. Critics quarreled him: “It changes to the offensive to the little things,” “fictions in the intricate rhymes.” He composed virtuoso, by any size, and even with pre-planned rhymes that did not fit into any system-and all this is certainly without verb rhymes: “look”, “stand”, “lie”, etc.

We saw woe, we did not notice the mind. Once Minaev was chosen at the St. Petersburg Vedomosti:-Will you really answer?